Prisoner #1, 2022, ink on paper, 40cm x 30cm
Prisoner #2, 2022, ink on paper, 40cm x 30cm
Stretch, 2022, oil on canvas, 60cm x 45cm
Prisoner #2, 2022, oil on canvas, 60cm x 45cm
Untitled #1, 2018, oil on canvas, 60cm x 65cm
“If the eyes are the window to the soul then perhaps their absence signifies a soulless age.”
- Excerpt from Artist’s statement, 2017
The Horror, 2017, oil on canvas, 40cm x 25cm
“What sets Killerby apart is his use of technical facility and knowledge of Art history to convey something distinctly contemporary.”
— Tom Adair
Anamorphic Sculpture With Palms, 2020, oil on canvas, 40cm x 20cm
Man In White T-Shirt, 2019, oil on canvas, 30cm x 30cm
Recorded Time is a digital platform for conversations about a variety of topics including Art, History and more…
FEATURED EPISODE
Episode #25 - Refik Anadol
(Image courtesy of Refik Anadol)
The following is a conversation with Refik Anadol. Refik is a media artist and director working in Los Angeles, California. He is an aesthetic pioneer in a new art form called ‘data art’, in which images and sounds are generated by the intervention of machine learning algorithms with data sets. Refik has been the recipient of numerous awards, including the Lorenzo il Magnifico Lifetime Achievement Award. He is also a lecturer at UCLA’s Department of Design Media Arts.
On the podcast Julius and Refik discuss his work, his process and the Digital Age in general.
Click below to listen.
Untitled #10, 2019, oil on canvas, 60cm x 60cm